Avril Lavigne: Μαρτίου 2011

Παρασκευή 25 Μαρτίου 2011

Η Avril Lavigne θα παντρευτεί ξανά;

Avril Lavigne

Η Avril Lavigne θα μπορούσε να παντρευτεί ακόμα μια φορά, όπως δήλωσε κατά την εμφάνιση της στο show της Chelsea Handler.

H 26χρονή τραγουδίστρια του hit single “What The Hell” αν και υπήρξε παντρεμένη με τον Deryck Whibley για τέσσερα χρόνια, αποκάλυψε ότι συνεχίζει να ψάχνει την αγάπη και δεν απέκλεισε τον ενδεχόμενο να παντρευτεί ξανά.

Η Avril, που αυτή την εποχή βγαίνει με τον reality star Brody Jenner, δήλωσε στην Chelsea Handler: «Κάποια μέρα θέλω να παντρευτώ ξανά και να κάνω παιδιά. Αυτή την εποχή είμαι συγκεντρωμένη στην καριέρα μου, στο album και στην περιοδεία μου, αλλά αν μου προκύψει μια σοβαρή σχέση λίγο αργότερα, δεν θα πω όχι!»

Όσο για την σχέση της με τον Whibley, που αν και χωρισμένοι, συνεργάστηκαν στο νέο της album, είπε: «Του είμαι ευγνώμων. Είμαι πολύ χαρούμενη που συνεργαστήκαμε πρόσφατα. Μιλάμε σχεδόν καθημερινά!» Αν αντέχετε τον ανταγωνισμό, χτυπήστε την πόρτα της Avril…

Δευτέρα 14 Μαρτίου 2011

Είχε μαζευτεί με τις φίλες της η Avril Lavigne και ξαφνικά της ήρθε η ιδέα να κάνει ένα δώρο στην εαυτό της. Η καναδή τραγουδίστρια «χτύπησε» ένα τατουάζ και μοιράστηκε την εμπειρία της με όσους την ακολουθούν στο twitter. Το τατουάζ έγινε στο λαιμό και πρόκειται για ένα μικρό και διακριτικό σχέδιο... παραμάνας!

Μάλιστα, τις φωτογραφίες που ανέβαζε στο twitter συνόδευαν σχόλια, όπως «μπορείτε να καταλάβετε τι είναι το σχέδιο;» και «η μέρα μου με τις κοπέλες κατέληξε νύχτα... Να κάνω ένα τατουάζ;»...

Avril Lavigne: παρουσίαση album και γενέθλια μαζί!

Το νέο της album με τίτλο Goodbye Lullaby παρουσίασε η Avril Lavigne στο Λος Άντζελες.

Στην παρουσίαση παραβρέθηκαν πολλοί φίλοι της celebrities, όπως η Kim Kardashian, για να ευχηθούν στη Lavigne πάντα επιτυχίες.

Η Avril το ίδιο βράδυ έσβησε και τα κεράκια για τα 26α γενέθλιά της... Εκεί ήταν και ο ετεροθαλής αδερφός της Kim Kardashian, με τον οποίο βγαίνει η Avril εδώ και λίγο καιρό. Οι φήμες στο Χόλιγουντ λένε μάλιστα ότι σύντομα Avril και Kim θα... συγγενέψουν

Avril Lavigne: What the hell Lyrics

You say that I'm messing with your head (yeah, yeah, yeah, yeah)
All 'cause I was making out with your friend
(yeah, yeah, yeah, yeah)
Love hurts, whether it's right or wrong
(yeah, yeah, yeah, yeah)
I can't stop 'cause I'm having too much fun
(yeah, yeah, yeah, yeah)

You're on your knees,
beggin' please
'stay with me'
But honestly,
I just need to be a little crazy

All my life I've been good but now,
I'm thinking 'What the hell'
All I want is to mess around,
and I don't really care about
If you love me, if you hate me,
you can't save me, baby, baby
All my life I've been good but now,
whoa 'What the hell'

What,
What,
What,
What the hell

So what if I go out on a million dates
(yeah, yeah, yeah, yeah)
You never call or listen to me anyway
(yeah, yeah, yeah, yeah)
I'd rather rage than sit around and wait all day
(yeah, yeah, yeah, yeah)
Don't get me wrong,
I just need some time to play (yeah)

You're on your knees,
beggin' please
'stay with me'
But honestly,
I just need to be a little crazy

All my life I've been good but now,
I'm thinking 'What the hell'
All I want is to mess around,
and I don't really care about
If you love me, if you hate me,
you can't save me, baby, baby
All my life I've been good but now,
whoa 'What the hell'

La la la la la la la la, whoa, whoa
La la la la la la la la, whoa, whoa

You say that I'm messing with your head
Boy, I like messing in your bed
Yeah, I am messing with your head
When I'm messing with you in bed

All my life I've been good but now,
I'm thinking what the hell (what the hell)
All I want is to mess around and I don't really care about (I don't care about)
All my life I've been good but now, I'm thinking what the hell
All I want is to mess around and I don't really care about. (if you love me)
If you love me (no), if you hate me (no)
You can't save me, baby, baby (if you love me)
All my life I've been good but now, whoa, what the hell

La la, La la la la la la, La la, La la la la la la la

Goodbye Lullaby

Avril Lavigne (RCA/Sony Music)

More than a year ago, Avril Lavigne was boasting that her next album would be her breakthrough into artistic adulthood. There was word of piano ballads, a largely acoustic set of songs, heart-on-sleeve emotion -it would be a Big Statement.

Like most Big Statements, Goodbye Lullaby starts with a perfume jingle. And like the not-quite-a-song Black Star, hawking Lavigne's fragrance of the same name while striving to propel a twinkly motif past the 90-second mark, the album as a whole is conflicted. In interviews, Lavigne has stated that she battled label executives who were pressuring her to put a happy face on more of the songs; she has also said she decided at one point that the album was too pensive and needed some bubblier tracks. Whether Lavigne caved in to corporate suits or to her own second-guessing is almost irrelevant; Goodbye Lullaby can't possibly match her original vision for what she has repeatedly claimed is her most personal disc to date.

Creative compromise would be fine and dandy if Lavigne's heart was still in candy-coloured mall-rockers. Girlfriend was a spiteful hair-yanker that could have soundtracked a bikini Jell-O wrestling match, but at least it was convincingly spiteful. What the Hell, on the other hand, finds Lavigne forcing herself to cut loose, from the stale roller-rink keyboards to the robotic brashness of the chorus. But it's better than Smile, whose uplifting central hook can't compensate for the shrill idiocy of party-hard hollers about being "a crazy bitch" and blacking out in the club. To her credit, Lavigne sounds more embarrassed than obnoxious singing this thing.

Wish You Were Here matches a high-impact R&B melody with a lyric that finds strength in vulnerability, but it isn't until Everybody Hurts offers the listener -and probably the writer -a shoulder to cry on that Lavigne's advance press for Goodbye Lullaby starts to make sense. The album's second half does away with rote fist-pumping and finds Lavigne inching toward Chantal Kreviazuk's tender comforts. Not Enough's anthemic rush confirms she can play to the cheapie arena seats while reaching for sincere introspection, and like some of the surrounding tracks, it sounds like a divorce song addressing Sum 41's Deryck Whibley. If Lavigne is looking inward, she isn't shutting fans out: these songs are both personal and universal.

The album ends with Goodbye, featuring melancholy strings and the closest thing to an angelic vocal Lavigne has laid down. A full hour of this would have been commercial suicide, but the ballad sounds far more meaningful to the singer than her apathetic brattiness elsewhere on the disc. And if Lavigne's fans are growing along with her, it's likely to be more meaningful to them as well.